I went to watch the film on a Monday evening. The Malayalee audience of this city for the show came in early, waited patiently in the lobby munching on their first batch of popcorns and drinking their cups of coffee until the cleaning of the screen was over.. to walk in, take their seats, settle down to watch Manju Warrier….it has been a Malayalee dream to see her back on screen.. an actor’s dream to act with her.. may be a director’s dream to direct her and .. so on and so forth.. This film will run to house full theatres because we have been waiting for this film for the last 14 years…
…think it was the first shot after the credits…she appeared.. in an ash/grey and green bordered sari…..the audience clapped!
She is back.. and I wish her all wishes to have a successful rerun…
This film is one about Manju Warrier, her comeback.. and two about the transformation of the character, Nirupama Rajeev/Krishnan she plays.. a script that can be talked about as fictitious however, one that resembles Manju Warrier’s own circumstances and absence from the industry for 14 years. The comparison is inevitable.
- google images
The crux of the film is the conflict in interest when a working mother/wife Nirupama decides to make a mark, wants to follow her dreams she has been ignoring for the sake of her husband and daughter …she ignored them to a point where she feels she is a different person now. The choices and chances that come by are serendipitous. She decides to take the train and in her journey, she has a college friend in Susan (Kaniha) who motivates and believes in her abilities, a set of in-laws (Kunjan & KalaRanjini) who are very supportive, a mother (Vanitha Krishnachandran) who is a pillar of strength, and an office colleague who is a partner in her every crime and another well wisher in Vinay Fort as a new recruit in the office ..
What the film does is present to us through the character of Nirupama about a woman’s life as a wife and a mother and how it is shoved under the carpet in spite of all the sacrifices she makes for the family. Or as the film itself asks… who decides the expiry date of a woman’s dreams? Nirupama becomes the butt of jokes, the most misinterpreted and misunderstood, and unwanted person in spite of her dedication to her loved ones. The villain of the story is the patriarch himself – her husband Rajeev, a struggling professional who thinks of making it big in another country! He is the demotivator, the emotional blackmailer, the perpetually unsatisfied husband/spouse type who guilt trips his wife and makes her feel inadequate! His fickle mindedness will tickle anybody, any woman in fact, with a sense of a self.
Nevertheless, the film did not work for me.. the character did not work neither did the story..the freshness of the opening credits faded out in the first half itself… it reminded me of English Vinglish at each step, to the point where I thought what would the makers done if there was no precedence in a Sridevi and Gauri Shinde English Vinglish! It is a cause of concern, this comparison.. because the Sridevi film had a beautiful build up..the script flowed, there were other characters, there were twists… this one does not…. and that was the flaw if it can be called one… if nothing else, this was another version of the other recent Malayalam films, Bharaya Athra Pora and Varuthe Oru Bharya..
But that apart, she is a good actor and has carried her role very well… It is truly her comeback film, And every character and every scene is directed towards her reaching the goal.
For instance, one way the audience is made to love the character she plays more is by creating this counter character of the chauvinistic husband played by Kunchacko Boban. We would hate Rajeev.. for Chackochan has given a brilliant performance … and if not for that powerful hate towards his character, a similar irritation we felt towards the character of the fiance played by Rajkumar Rao in Queen (2014) we wouldn’t have felt that bad for Nirupama. In addition to this, the persona of Nirupama is made interesting because unlike the usual protagonists she has an equal share of flaws as well, bragging for instance is one…. Some of the humour in the film comes from these flaws.
In the midst of all the /[H]onorable/ and /Jokes/ in a typical Malayalam phonetic flow.. the satire on the serial audience of Malayalam Television, the backbites and the stereotyping of the so called intellectual reading habits, recreation of men, one take away is wash your hands and your vegetables and fruits because “they contain a cocktail of pesticides…” grow your own vegetables, build houses with a space for a little garden of your own..
One disconnect however is that Manju Warrier, the marathon runner is very different from Nirupama Rajeev/Krishnan of the film.. The marathon run seems almost like a dream sequence just like the second half of the film is a page from a modern fairy tale…
In terms of the locations of the film, anybody who has been to Jaipur would LOL at a particular scene or react with a sense of a recognition towards it 🙂 As for any Cochinite, like me…the film is a short quick trip to my city.. I went home and returned in a span of 2 hours or so.. 🙂
On another note, I really hope against hope the common Malalayalee will take the essence of the film seriously.. and hereafter stop looking at people, Malayalees and others, in terms of just age. Ageism is one rampant disorder among Mals in particular.. in myriad ways, the younger generation in particular has ways of looking at the older ones.. passing comments such as they are old therefore they have nothing else to do therefore become religious or some such thing! or see serials or buy clothes for them in pastel shades instead of their favourite reds and greens…
The film says out loud and clear that age really does not matter, what matters is always the will.. the will to take up, the will to work, .. who are we to typecast the older generation or anybody older to us as ineffective, spiritual or useless because they have gone past a certain age! Let’s be as careful and sensitive to age as we are towards say women empowerment!
PS: I can’t really figure what is so intellectually different about watching episodes of Friends, Sherlock and Hannibal and soap operas in regional languages. A form of entertainment people get addicted to, seek pleasure in and find a routine time pass!