Charlie is a 2015 Malayalam film directed by Martin Prakkat with Dulquer Salman and Parvathy in the lead, supported by Aparna Gopinath, Nedumudi Venu, KPAC Lalita and Kalpana, Neeraj Madhav et al. The film is narrated through the journey of Tessa (Parvathy) who goes in search of the tenant, Charlie (DQ) who stayed in a room she rented before her. Among his things he left behind, she finds an unfinished graphic novel. With it begins a search for the rest of the story, the tenant who drew it and a direction for the plot.
The story of Charlie begins thus. It would have been an ordinary story if not for that room, its exquisite interiors with its crafty stairs, paper lanterns, tinted bottles, wind chimes created by the art director, Jayashree Lakshmi Narayan. We enter with Tessa into Charlie’s world through this house, through the caricatures he has drawn of the people he has met and observed.. And stories some of those people have to say about him… Like he says, “what if we are not real and somebody’s imagination”. Sameera Saneesh dresses Dulquer in some very uber cool colourful attire to bring a very touristy feel and a feeling of lying lazily on the beach .. It brings alive the carefree life Charlie leads .. Through Jomon T John’s lens spanning parts of cochin and munnar (i think) a little more of the ever so loving, sanguine and enigmatic nature of Martin Prakkat’s and Unni R’s Charlie is revealed.. Tessa falls in love with the stories she hears of Charlie and the image she has sketched of him.. And goes in search of him..
Between Charlie and Tessa, Charlie is brought up by his father who has given him the freedom to explore his potential. But Tessa turns out to be the rebellious daughter who runs away from home to pursue her music and animation career against her families plans for her. So, her every step is seen as an effrontery in the eyes of her family where as Charlie has such qualms, he is born, brought and lives like the free bird.. the film gives us two characters who almost at the face of it lead the same kind of life.. But, there is a big but.. Through the banner of Finding Cinema, a very apt banner, the producers have tried to explore cinema taking the art director and costume designer also into their confidence to see what happens if Charlie and Tessa are let loose. The film with its choice of props, locations, shots, aesthetics, narration and depiction make an ordinary love story magical and exciting..
All that said and done, Charlie would have been a better film if it had a stronger storyline. The film comes alive in its moments… These moments or episodes are scattered accounts of Charlie by different people. The supporting cast – Nedumudi Venu is a joy to watch, his interactions with Charlie are just spot on.. Kalpana, she is no more as of this morning has a poignant but small role which moves the plot forward.. Dulquer, he has carried off the role of this character well, an extension of his Aju in Bangalore Days except that here, he is backed by his father in his every endeavour. Parvathy as Tesa has given an excellent performance different from what her role and period demanded of her as Kanchana in Ennu Ninte Moideen. The transition in her is worth a watch ..
I felt the first half a tad bit slow, but the film picks up pace in the second half… For the rebellious.. this is their film, .. It revels in such quirkiness and rebellion, from the dress to scenery .. It upsets the stereotypes of the society and its expectations, but shows that benevolent souls exist.
One highlight of the film for me was nobody dies, ails or is diagnosed with those bigger illnesses like cancer or some such… Usually films that build up momentum towards a certain character brings about the climax with such a revelation. Even if Charlie’s character is built up to be this Good Samaritan, the rescue man and benevolent soul like other reviews have said… he is still active and living life, dreaming everything in double by the end of the film.. (like Bunny says in the climax of Yeh Jawani Hai Deewani.) A feel good film.. A happy film..
Watch it for Dulquer, for Parvathy for the art director, costume designer and the cinematographer… A creative film where a lot of thought has gone into the prepping the look. Distributed by Mammooty’s PlayHouse, directed by Martin Prakkat and written by Unni R, all from Mammotty’s film camp.
Blogathon’16 Day 24